Copyright remains with Goutham Ramesh. Please do not reuse this photograph without permission.
“Sometimes the story is simply too wide for a single frame.”
When we reached the Elephant Stables today, I was once again struck by the sheer vastness of the monument. I wanted more than the familiar view of the stables. I noticed the ruined elephant sculpture in the foreground, the chambers associated with the mahouts on the left, and the long sweep of the Elephant Stables behind them. I wanted all of these elements together because, for me, they collectively tell a much larger story of the place.
The challenge was simple. My Nikon PC E 24 mm could not include everything I wanted in a single frame. This is where the shift movement of the lens became useful. I rotated the lens by 90 degrees and shifted it progressively from left to right, making six photographs with roughly 50 to 60 percent overlap. I then merged those frames into one wide image. The result allowed me to keep the ruined elephant close in the foreground, include the mahout chambers, and still convey the magnificent scale of the Elephant Stables. Sometimes technique is not about creating an effect. It simply helps me photograph the scene the way I first imagined it.
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